'Flogging a Dead Horse' in group exhibition 'A Gentle Madness: Tony Ray Jones
Abstract
My contribution to this exhibition included three works from the series, 'Flogging A Dead Horse'. The original series was a critical look at post industrial Britain and the emergence of "heritage culture", and many of the themes of 'Flogging A Dead Horse' became part of the wider critique of heritage culture.
This exhibition re-contextualised and re-presented the selected works in relation to the work of Tony Ray Jones, one of Britain’s leading documentary photographers who died at an early age. The exhibition and book dealt not only with the significant contribution he made to the medium but also looked at the legacy and influence of his work on subsequent generations of British photographers.
The work was referenced in the monograph that accompanied the exhibition 'Tony Ray-Jones' by Russell Roberts, published by Chris Boot in Association with the National Museum of Film and Photography (October 2004) ISBN 0-9542813-9-X
Citation
National Museum of Film and Photography, Bradford, pp.
Collections
Related items
Showing items related by title, author, subject and abstract.
-
‘Six Landscape Records’ (2009) & ‘The Ghosts of the Standing Stones’, (2009). Artists Book works.
Ferry, David (2012-11-21)David Ferry was invited, as an international 'book artist', to select and curate the 'international section' for the 'Book Arts Odyssey' International Book Arts Exhibition, held at the National Korean Craft Museum, in ... -
An investigation to determine the effectiveness of exhibition events as a marketing tool for a retailer, using the case study of Leekes department store
Richards, Katie (Cardiff Metropolitan University, 2010)The nature of this research is to critically assess the effectiveness of exhibition events as a marketing tool. It utilises a case study approach of Leekes department store, with intent to make recommendations to the company ... -
Abstract Realities
Robertson, Carol (2004-10-08)The Abstract Realities exhibitions occurred simultaneously at three locations. The first was a single painting responding to van Gogh’s Rain Auvers (1890), exhibited alongside the original in the Impressionist Gallery at ...