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dc.contributor.authorTreadaway, Cathy
dc.date.accessioned2011-01-24T12:00:19Z
dc.date.available2011-01-24T12:00:19Z
dc.date.issued2009-06
dc.identifier.citationLeonardo, Volume 42, Issue 3en_GB
dc.identifier.urihttp://hdl.handle.net/10369/2546
dc.descriptionSpecial Section: Creativity and Cognition 2007 Conference Papers. Full details of the issue are available from: http://www.leonardo.info/isast/journal/toc423.htmlen_GB
dc.description.abstractOur perception of the physical world is informed by our bodily sensory experiences. This rich source of information stimulates the brain and is remembered and remade in the creative processes that feed our imagination. How does experience of materiality shape our creative use of digital imaging tools, and how does the technology influence creative practice? This article contends that creative processes are heavily reliant on our memories of physical experience and that tools to support creative digital practice could be enhanced to utlize the rich muliti-sensory stimulation it provides. This paper presents collaborative art-making that has been used to investigate issues arising from case study research, enabling the author to empathically experience the artist's creative processes and to provide insight into how digital tools can support creative practice.en_GB
dc.language.isoenen_GB
dc.publisherMIT Pressen_GB
dc.subjectPerceptionen_GB
dc.subjectCreative Processen_GB
dc.subjectDigital Imagingen_GB
dc.subjectCreative Practiceen_GB
dc.subjectMemoryen_GB
dc.subjectPhysicalityen_GB
dc.titleMateriality, memory, and imagination: using empathy to research creativityen_GB
dc.typeArticleen_GB


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  • Centre for Applied Research in Inclusive Arts and Design (CARIAD) [83]
    CARIAD researchers put people at the heart of design. The mulit-disciplinary team works in a fast-emerging field in which the arts contribute to health, wellbeing, social inclusion and healthcare practice across a range of settings and end-user populations.

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