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dc.contributor.authorPepperell, Robert
dc.date.accessioned2013-01-11T16:20:52Z
dc.date.available2013-01-11T16:20:52Z
dc.date.issued2009
dc.identifier.citationPepperell, R. (2009) 'The conscious act of looking at a painting', Consciousness Literature and the Arts, Vol. 10 No. 2.en_GB
dc.identifier.issn1573-2193
dc.identifier.urihttp://hdl.handle.net/10369/3710
dc.identifier.urihttps://blackboard.lincoln.ac.uk/bbcswebdav/users/dmeyerdinkgrafe/archive/pepperell2009.html
dc.descriptionThis article was published in Consciousness Literature and the Arts in August 2009, available open access online at https://blackboard.lincoln.ac.uk/bbcswebdav/users/dmeyerdinkgrafe/archive/pepperell2009.html
dc.description.abstractThis paper considers what happens during the conscious act of looking at a painting. First, two widely held views about the nature of consciousness are introduced: that it’s unified and that it’s essentially rational. I then describe in some detail my experience of looking at a Monet painting, Rouen Cathedral (1892-4), and note that what I experience does not seem consistent with either of these views. In fact what I experience is a multiplicity of conflicting beliefs and thoughts, which are nevertheless co-existent. I conclude that 'normal waking, rational consciousness', as described by William James, may be better regarded as multiplicitous and often irrational, although this does not seem to pose any problem for the act of looking itself. Indeed it seems to be the very mark of lived, conscious experience.en_GB
dc.publisherRodopien_GB
dc.subjectarten_GB
dc.subjectperceptionen_GB
dc.subjectconsciousnessen_GB
dc.titleThe conscious act of looking at a paintingen_GB
dc.typeArticleen_GB


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  • Artistic Research [180]
  • Fovolab [41]
    Fovolab aspires to push the boundaries of understanding perceptual experience – how we perceive and are aware of the world.

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