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Constable and History

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‘Mysterious Monuments’ V&A.docx (153.2Kb)
Author
Clarkson, Jonathan
Date
2014
Type
Presentation
Publisher
Victoria and Albert Museum
Metadata
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Abstract
The paper looks at the depiction of history in Constable's later paintings. It argues that the artist makes history visible in two ways: spatial ambiguity and monumentality. The first way renders historical forces mysterious and the second explicitly moralises particular artefacts, often adding supplementary texts to pictures.
Citation
Consatble Study Day: Constable and the Masters, Victoria & Albert Museum, London, October 2014
URI
http://hdl.handle.net/10369/7384
Collections
  • Artistic Research [180]

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