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dc.contributor.authorKoenderink, Jan
dc.contributor.authorvan Doorn, Andrea
dc.contributor.authorPinna, Baingio
dc.contributor.authorPepperell, Robert
dc.date.accessioned2016-01-13T16:11:09Z
dc.date.available2016-01-13T16:11:09Z
dc.date.issued2015
dc.identifier.citationKoenderink, J., van Doorn, A., Pinna, B., & Pepperell, R. (2016). On right and wrong drawings, Art & Perception, 4(1-2), pp. 1-38.en_US
dc.identifier.urihttp://hdl.handle.net/10369/7482
dc.descriptionThis article was published in Art and Perception in January 2016 (online), available at http://dx.doi.org/10.1163/22134913-00002043
dc.description.abstractAre pictorial renderings that deviate from linear perspective necessarily ‘wrong’? Are those in per- fect linear perspective necessarily ‘right’? Are wrong depictions in some sense ‘impossible’? Linear perspective is the art of the peep show, making sense only from one fixed position, whereas typical art works are constructed and used more like panel presentations, that leave the vantage point free. In the latter case the viewpoint is free; moreover, a change of viewpoint has only a minor effect on pictorial experience. This phenomenologically important difference can be made explicit and formal, by considering the effects of panning eye movements when perusing scenes, and of changes of viewpoint induced by translations with respect to pictorial surfaces. We present examples from formal geometry, photography, and the visual arts.en_US
dc.language.isoenen_US
dc.relation.ispartofseriesArt & Perception;
dc.subjectPerspectiveen_US
dc.subjectPeephole Visionen_US
dc.subjectPanel Visionen_US
dc.titleOn right and wrong drawingsen_US
dc.typeArticleen_US
dc.identifier.doihttp://dx.doi.org/10.1163/22134913-00002043
rioxxterms.freetoread.startdate2018-01-01


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  • Artistic Research [180]
  • Fovolab [42]
    Fovolab aspires to push the boundaries of understanding perceptual experience – how we perceive and are aware of the world.

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