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dc.contributor.authorPepperell, Robert
dc.date.accessioned2016-01-18T17:02:47Z
dc.date.available2016-01-18T17:02:47Z
dc.date.issued2012
dc.identifier.citationPepperell, R. (2012) 'Indeterminacy and realism in cinema and art', in Ohlschlager, C., Perrone Capano and Borso, V. (eds) Realismus nach den europäischen Avantgarden: Ästhetik, Poetologie und Kognition in Film und Literatur der Nachkriegszeiten_US
dc.identifier.isbn978-3-8376-1916-4
dc.identifier.urihttp://hdl.handle.net/10369/7512
dc.descriptionBook chapter made available in this repository by permission of transcript Verlag for personal use only, not for redistribution.en_US
dc.description.abstractThis paper will address two moments in cinematic history: a shot that occurs in Robert Wiene's avant-garde production of THE CABINET OF DR CALIGARI (1920) and the attempt by the main protagonist in Antonioni's BLOW-UP (1966) to discern a phantom figure in a blurry section of a photograph. Both are examples of what I term 'visual indeterminacy', where images resist easy or deny immediate interpretation. Visual indeterminacy is in fact quite a common perceptual phenomenon. Although not very widely studied in science it has been recognized for centuries by visual artists and writers. I will discuss the phenomena of visual indeterminacy, its perceptual basis, and its wider implications for our understanding of how we see the world. In particular, I will note the impact of indeterminacy on our notion of the 'real' by looking at the work of the artist Gerhard Richter, whose images veer between the mechanically and expressionistically abstract to the photographic. Richter's declaration that works of art should defy easy interpretation will be considered in relation a wider modernist preoccupation with indeterminate meaning.en_US
dc.language.isoenen_US
dc.publisherVerlag Transcripten_US
dc.rightsCreative Commons Attribution NonCommercial NoDerivatives
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/2.0/
dc.subjectarten_US
dc.subjectindeterminacyen_US
dc.subjectperceptionen_US
dc.subjectvisual awarenessen_US
dc.subjectself-perceptionen_US
dc.subjectart and scienceen_US
dc.titleIndeterminacy and realism in cinema and arten_US
dc.typeBook chapteren_US


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  • Fovolab [38]
    Fovolab aspires to push the boundaries of understanding perceptual experience – how we perceive and are aware of the world.

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