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As Seen: Modern British Painting and Visual Experience

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Author
Pepperell, Robert
Hughes, Louise
Date
2015
Acceptance date
2015
Type
Article
Publisher
Tate
ISSN
1753-9854
Metadata
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Abstract
During the twentieth century several important British artists began to paint features of visual experience rarely ever painted before, including subjective curvature, double vision and the body seen from the first person viewpoint. In doing so they broke with hundreds of years of pictorial convention, yet their experiments remain largely unrecognised
Citation
Pepperell, R. and Hughes, L. (2015) 'As seen: Modern British painting and visual experience', Tate Papers, 23, http://www.tate.org.uk/research/publications/tate-papers/23/as-seen-modern-british-painting-and-visual-experience
URI
http://www.tate.org.uk/research/publications/tate-papers/23/as-seen-modern-british-painting-and-visual-experience
http://hdl.handle.net/10369/9389
Description
This article was published in Tate Papers in Spring 2015, available open access at http://www.tate.org.uk/research/publications/tate-papers/23/as-seen-modern-british-painting-and-visual-experience
Rights
https://creativecommons.org/licenses/by-nc/3.0/
Sponsorship
Cardiff Metropolitan University (Grant ID: Cardiff Metropolian (Internal))
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  • Artistic Research [180]

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