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dc.contributor.authorPigott, Jon
dc.date.accessioned2018-03-20T09:53:41Z
dc.date.available2018-03-20T09:53:41Z
dc.date.issued2017-07-12
dc.identifierhttps://repository.cardiffmet.ac.uk/bitstream/id/31858/OSpigott_final.pdf
dc.identifier.citationPigott, J. (2017) 'Across Fields: Sound, art and technology from an electromechanical perspective', Organised Sound, 22(2), pp.276-285.en_US
dc.identifier.issn1355-7718
dc.identifier.issn1469-8153 (online)
dc.identifier.urihttp://hdl.handle.net/10369/9429
dc.descriptionThis article was published in Organised Sound on 12 July 2017 (online), available at https://doi.org/10.1017/S1355771817000188 Paper also presented at Alternative Histories of Electronic Music conference, Science Museum. London, 14th – 16th April 2016. https://ahem2016.wordpress.comen_US
dc.description.abstractThis article follows electromechanical technologies through different contexts of electronic and experimental music, sound art and kinetic art as well as through parts of their industrial development and application. The aim is to explore connections between these different fields which are often obscured by disciplinary and genre divides, and which are typically unrepresented by critical and historical accounts. The approach is influenced by the field of science and technology studies (STS, also science technology and society) where technical and cultural entanglements are seen as crafting particular truths, and where the method of following a technology across disciplinary boundaries is found. By taking this approach to identify connections between the areas of electronic music, sound art and kinetic art, new and rediscovered critical appraisals of the use of electromechanical technologies as tools in creative sound production are identified. These positions are then applied to a selection of contemporary practitioners who continue to work with and forefront electromechanical technologies within the fields of electronic music and sound art.en_US
dc.language.isoenen_US
dc.publisherCambridge University Pressen_US
dc.relation.ispartofseriesOrganised Sound;
dc.titleAcross Fields: Sound, art and technology from an electromechanical perspectiveen_US
dc.typeArticleen_US
dc.typeacceptedVersion
dcterms.dateAccepted2017-03-01
rioxxterms.funderCardiff Metropolitan Universityen_US
rioxxterms.identifier.projectCardiff Metropolian (Internal)en_US
rioxxterms.versionAMen_US
rioxxterms.versionofrecordhttps://doi.org/10.1017/S1355771817000188
rioxxterms.licenseref.urihttp://www.rioxx.net/licenses/all-rights-reserveden_US
rioxxterms.licenseref.startdate2018-03-20
dc.refexceptionThere was a delay in securing the final peer-reviewed text
rioxxterms.publicationdate2017-07-12
dc.date.refFCD2018-03-20
rioxxterms.funder.project37baf166-7129-4cd4-b6a1-507454d1372een_US


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    FabCr8 is a new, multi-disciplinary research and enterprise group based in Cardiff School of Art & Design with an interest in emerging technologies

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